Kris Okoyee
Thursday, 26 June 2014
Lens: Mise-sen-scene
Wednesday, 25 June 2014
Rraw : 5 Reading Annotations
1. Uhila, K. and Philips, B.E (2012). Discussing Mo'ui Tukuhausia. In Philips, B.E & Lal, R.(ed). What to you mean, we?. (pp.46-53) Auckland: Te Tuhi Centre at the Arts.
This text was an interview between the curator Bruce E. Phillips and the Tongan artist Kalislaite Uhila about an art performane Uhila done. The Art performance was a two week process where Uhila became a homeless person on the streets of Pakuranga. He left his home, family and travelled on the bus to Pakuranga dressed like a homeless man, where is journey began.
The interview was interesting because he actually dress like a homeless man. Its sad because he says that his first test was that there was an instant silence once he hopped on the bus to go to Papakura, and people were starting at him because of what he was wearing. A issue that i found was the police giving him being an unnecessary nuisance to him on the last day of his performance. I thought it was really stupid what the police done, i view is, what if he was actually a homeless man? would he still be treated with disrespect? Uhila says it was like getting your passport ripped up, this is like being stripped of your identity. Is that how other homeless people are treated ? he is still human isn't he ? it makes me wonder how he treats other homeless people, makes me actually worried.
2. Wood, A.P. (2009). Seung Yul Oh. In F.Campbell (ed.), The big book of Essays: New Zealand Contemporary Art from the Real Art Roadshow: Black Collection (p.44). Wanaka: Real Art Charitale Trust.
This text is an Artist writing about Seun Yuh Ol. Who was born in Korea and Studied as an artist in New Zealand. Andrew Paul Wood is a art critic. An issue that i noticed was that people laughed in his gallery, laughing at his work. But in my opinion, is that what he want people to do when they see his work? is that what he is trying to convey to the audience? Another issue that i have with this reading is that Andrew P.W would say that Seung Yul Oh's work is a "miss-use"of dripping and spilling. My question is why is it a miss-use? It also says a doodle is a aimless, random drawing. I disagree that his technique is a miss-use. Art is meant to be an expression of the artist. Art doesn't have to look a certain way.
3. Galbraith, H. Psychic Pushing. In H. Galbraith (ed.), Francis Upritchard: Save Yourself (pp.31-33). New Plymouth: Govett Brewster Art Gallery$ Francis Upritchard: Save yourself Team. (Exhibition catalogue.)
This is a critique on Francis Upritchard art work. Francis Upritchard is a New Zealand artist based in London, who was born is 1976 in New Plymouth. The idea of Upritchard making fake mokomokai by using "hapless pakeha" people and making them look funny with "Comedic hairstyles, moustaches, sukken in eyes and false teeth". In my opinion she is mocking them, making them her own interpretation of something that is considered sacred in the Maori Culture. She makes ot look rather humorous, in a way she kind of devalues what a mokomokai means to Maori people. Maori mokomokai were the heads of a high chiefs that have past away and there heads were boiled to a smaller size. Upritchard uses European men that do not have power, and that why i think she is devaluing the mokomokai. My views are that she shouldn't do this simply because it as a sacred object to Maori people and i don't think she has the right to do that. But then again there are other things in this world that are used that should be used in that way. For example the Nike tick, the Puma, The Adidas strips are used on Samoan lavalavas but they don't have permission. This is also an example of devaluing something that isn't theres.
4. Duffy, D., & Jennings, J., (2010) Black Comix. 36 West 37th Street, Suite 409: Mark Batty Publisher
This text is a frictocritism based on Turtel Onli and his view on Black Age of Comics. Turtel Onli is an artist, writer, teacher, basketball coach and self-publisher. Turtel Onli is telling the storey and he talks a about a musician that sings about looking like a african and actually being a african, claiming that dark skinned people are africans and nothing else. Onli refers to them as 'Blackuns'. Blackuns is a name he uses for black people that are in the Entertainment industry. My interpretation, he is a little racist, by making black people in the Entertainment industry a group. Is he including himself? he is african himself ? Does he want to grouped as the black entertainment group? Does he want the black entertainment industry to grow or not ? i don't think its helpfull that he's calling himself a group and having to put that word black in it. Does he want to be grouped?
5. Lynnsay, R. (2001). The Art Tivaevae: Traditional Cookisland Quilting.18 Poland Road, Glenfeild, Auckland, New Zealand: Random House New Zealand.
This text is an Artist Statement that is based on her knowledge and enjoyment of the Tivaevae. Her name is Grace Ngaputa and she is talking about herself. In the text she explains that her mother was an influence as she also done Tivaevae. One of the key themes within this text is that Tivaevae sewing was more neat 30-40 years ago and they also used different cotton to sew. This is an issue to me because it can change the way future sewers do Tivaevae and it may even change the value if the beautiful Tivaevae. I think that sewers should try use the fabrics and cottons that were used originally used and shouldnt try to rush it. This relates to me because it is my culture and i think tivaevae's are beautiful representations of the beautiful island. And i would wanted to take traditional sewing into my hands to interpretate it the traditional but modern way.
This text was an interview between the curator Bruce E. Phillips and the Tongan artist Kalislaite Uhila about an art performane Uhila done. The Art performance was a two week process where Uhila became a homeless person on the streets of Pakuranga. He left his home, family and travelled on the bus to Pakuranga dressed like a homeless man, where is journey began.
The interview was interesting because he actually dress like a homeless man. Its sad because he says that his first test was that there was an instant silence once he hopped on the bus to go to Papakura, and people were starting at him because of what he was wearing. A issue that i found was the police giving him being an unnecessary nuisance to him on the last day of his performance. I thought it was really stupid what the police done, i view is, what if he was actually a homeless man? would he still be treated with disrespect? Uhila says it was like getting your passport ripped up, this is like being stripped of your identity. Is that how other homeless people are treated ? he is still human isn't he ? it makes me wonder how he treats other homeless people, makes me actually worried.
2. Wood, A.P. (2009). Seung Yul Oh. In F.Campbell (ed.), The big book of Essays: New Zealand Contemporary Art from the Real Art Roadshow: Black Collection (p.44). Wanaka: Real Art Charitale Trust.
This text is an Artist writing about Seun Yuh Ol. Who was born in Korea and Studied as an artist in New Zealand. Andrew Paul Wood is a art critic. An issue that i noticed was that people laughed in his gallery, laughing at his work. But in my opinion, is that what he want people to do when they see his work? is that what he is trying to convey to the audience? Another issue that i have with this reading is that Andrew P.W would say that Seung Yul Oh's work is a "miss-use"of dripping and spilling. My question is why is it a miss-use? It also says a doodle is a aimless, random drawing. I disagree that his technique is a miss-use. Art is meant to be an expression of the artist. Art doesn't have to look a certain way.
3. Galbraith, H. Psychic Pushing. In H. Galbraith (ed.), Francis Upritchard: Save Yourself (pp.31-33). New Plymouth: Govett Brewster Art Gallery$ Francis Upritchard: Save yourself Team. (Exhibition catalogue.)
This is a critique on Francis Upritchard art work. Francis Upritchard is a New Zealand artist based in London, who was born is 1976 in New Plymouth. The idea of Upritchard making fake mokomokai by using "hapless pakeha" people and making them look funny with "Comedic hairstyles, moustaches, sukken in eyes and false teeth". In my opinion she is mocking them, making them her own interpretation of something that is considered sacred in the Maori Culture. She makes ot look rather humorous, in a way she kind of devalues what a mokomokai means to Maori people. Maori mokomokai were the heads of a high chiefs that have past away and there heads were boiled to a smaller size. Upritchard uses European men that do not have power, and that why i think she is devaluing the mokomokai. My views are that she shouldn't do this simply because it as a sacred object to Maori people and i don't think she has the right to do that. But then again there are other things in this world that are used that should be used in that way. For example the Nike tick, the Puma, The Adidas strips are used on Samoan lavalavas but they don't have permission. This is also an example of devaluing something that isn't theres.
4. Duffy, D., & Jennings, J., (2010) Black Comix. 36 West 37th Street, Suite 409: Mark Batty Publisher
This text is a frictocritism based on Turtel Onli and his view on Black Age of Comics. Turtel Onli is an artist, writer, teacher, basketball coach and self-publisher. Turtel Onli is telling the storey and he talks a about a musician that sings about looking like a african and actually being a african, claiming that dark skinned people are africans and nothing else. Onli refers to them as 'Blackuns'. Blackuns is a name he uses for black people that are in the Entertainment industry. My interpretation, he is a little racist, by making black people in the Entertainment industry a group. Is he including himself? he is african himself ? Does he want to grouped as the black entertainment group? Does he want the black entertainment industry to grow or not ? i don't think its helpfull that he's calling himself a group and having to put that word black in it. Does he want to be grouped?
5. Lynnsay, R. (2001). The Art Tivaevae: Traditional Cookisland Quilting.18 Poland Road, Glenfeild, Auckland, New Zealand: Random House New Zealand.
This text is an Artist Statement that is based on her knowledge and enjoyment of the Tivaevae. Her name is Grace Ngaputa and she is talking about herself. In the text she explains that her mother was an influence as she also done Tivaevae. One of the key themes within this text is that Tivaevae sewing was more neat 30-40 years ago and they also used different cotton to sew. This is an issue to me because it can change the way future sewers do Tivaevae and it may even change the value if the beautiful Tivaevae. I think that sewers should try use the fabrics and cottons that were used originally used and shouldnt try to rush it. This relates to me because it is my culture and i think tivaevae's are beautiful representations of the beautiful island. And i would wanted to take traditional sewing into my hands to interpretate it the traditional but modern way.
Rraw: 5 Image Critiques
Sunday, 15 June 2014
Object: Affiliation Powerpoint (Gina Matchitt and )
Wednesday, 11 June 2014
Lens: research
https://www.youtube.com/watch?v=D-GJuemQXqw
very simple tutorial that i can trial after studio time on friday which is basically about ghost effects
very simple tutorial that i can trial after studio time on friday which is basically about ghost effects
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